Wednesday, November 13, 2002

Fiction: Captured in the Battle of the Sexes

This time, an image of a perfect specimen of femininity in a little off-white sequined dress, standing with hands on a rail.  The dress is not extremely tight, but enough to lovingly caress the hips, gently holding tight, curvaceous buttocks.  It drapes the thighs down to the tops of the knees; long, smooth, bronze legs, firm and sinuous, yet sensuously curvy, support that perfectly round little tush.  How did you learn so quickly to carry yourself that way?

Another image, relating back to the last story about the literal battle of the sexes: the men are crucified, still wearing their camouflage fatigues.  They are surrounded by their female captors.  They stoically resist, as they have been trained.  They will not succumb to femininity.  They are men of stone, steadfast and determined.  They are masculine to the unshakeable core, the mightiest, most virile men.  They all face a huge stage, backed by a massive screen.  Each of them watches the podium with trepidatious composure.  Their resolve rests upon the sanctity and purity of each man’s individual machismo, backed by confidence in each other’s strength, and ultimately held together by their illustrious godlike leader: a man so strong-willed, and so unquestionably virile that no woman can but fall to her knees and beg for his affections.  This man commands their hearts, their minds, their lives.  He is their foundation.  Together, they are the last of the army of men.  They know that they are incorruptible, because of his leadership.  He is the last hope; they are his elite guard.  The situation is grim, but they all suspect that their leader will somehow pull them out, perhaps by seducing and overpowering his would-be captors and bending them to his will.  One hundred men depend on it.

(Here the fantasy splits into two scenarios)

One: The video screen behind the stage shows a man on a cross near the front of the forest of men.  A bevy of gorgeous half-naked women begin to slink around him seductively, mussing up his hair and feeling his powerful chest.  They fiddle with the buttons of his uniform, slowly undoing them.  They begin to unbutton his shirt.  He squirms with discomfort.  Some of the men envy his luck, but wonder why he cringes.  Soon the women tug at his undershirt.  What is that beneath his white tank top?  A wide tuft of black chest hair?  Not surprising on such a man.  But no, it shimmers.  A thin black band rises from his pectoral to his shoulder.  His chest appears covered with something, but he’s shifting his body away from the camera.  Good God, it can’t be!  The women have now pulled back the camouflage shirt, and torn away one half of Johnson’s tank top, revealing a lace-trimmed brassiere.  The men gasp in horror.  One of their number was a traitor all along.  How could they have trusted him?  He has stopped resisting, and his femininely adorned chest becomes fully exposed.  He bows his head in shame.  The women who stripped him laugh at him cruelly as they undo his pants and pull down his boxers.  His panties match the bra.  He endures the hateful glares of his companions.

Now the camera cuts to Terwilligger, at the opposite end of the crowd.  He pleads for them to stop.  Him too, wonder the others, as another gaggle of lithe young hotties slowly strips him to an unmistakably feminine panty and bra set.  He weeps with embarrassment as the other men begin to mutter in disbelief.

Next went Smith, who wore a string bikini.  Then Parish in just panties.  Wang in his one piece swimsuit came after that.  Then Dalton.  Then Lee.  Then Patel, Schmidt, Torres, Garcia, Hakkannen, Visniewski, Dekembe, Miller, Groulx, and Santini.  One by one, the men were exposed in women’s skivvies.  By the time they had lost 20 men, those remaining began to question each other’s virility.  If so many could be traitors, how could anyone tell if the man he shared a tent with was another traitorous fairy?  Bolton harshly accused Silverman, who shook visibly with apprehension.  They came for Bolton first, revealing him in his frilly white silks to Silverman, who turned out to only have been hiding a garter.

After exactly half of them had been exposed, the women asked for volunteers.  Any man who spoke up now would be spared the humiliation of being stripped before his peers.  MacPherson, Moore, Cadieux, and Vandenburgh all screamed like the sissies they were, and were untied and sent to the stage.  Seeing that they weren’t being molested, seven more piped up.  All told, 23 men were too cowardly to get stripped down.  When it became evident that no others would give up, these men were made to strip anyway, one by one, to burlesque music.  Most were happy to have found asylum, and strutted like supermodels in their various lingerie outfits.  It was easy for them, since they knew that the traitors outnumbered the loyalists.  Once they had each proclaimed their abject femininity, they lined up on the stage holding hands.

There now remained 28 men.  Fifteen more were exposed.  Every one of the first 87 men exposed had something girlish to hide.  At last, Maartens turned out to be clean.  So did Franks, Julien, Chung, and the leader, Meyer.  All the others were sissies.

All told, 95 of the hundred last men were already corrupted.  Only five had remained true to their gender.

Now the women asked the 5 remaining naked men if they wanted to convert now to avoid the shame of being effeminated aggressively, publicly, and ruthlessly.  Chung begged for mercy, and he was given a French maid’s uniform, which he put on greedily and expertly.  Franks caved in, too, and was given a tight little bikini, which he struggled getting into, but appeared to enjoy when he got it on.  Then they let go all the crucified sissies, since it was no longer possible to shame them since they were all transsexual anyway.

That left Maartens and Julien flanking their beloved leader Meyer.  Maartens and Julien relied on their captain to lead them out of their predicament.  They needed Meyer’s strength to pull them through.  Meyer defiantly refused to co-operate, and his henchmen followed his lead.

The women decked out Maartens like a whore.  He wore lingerie fancier and more feminine than any of the other men had ever even imagined themselves in in their wildest dreams.  He whimpered in distress, but Meyer encouraged him to remain manly, to be strong, to not let the feminine accoutrements destroy him.  Maartens held fast, although he struggled visibly to restrain himself from expressing his long-repressed feminine side.  Julien did not fare much better.

Meyer, however, was released from his cross, and made to dress himself.  He had to wear the whole deal.  He looked like a whore.  When they marched him to the stage, he quickly learned to wiggle his butt in those 3-inch heels.  The lace and silk were too much for him.  He crumpled at the feet of the queen and came all over himself.  Maartens and Julien wept with relief, and came too.


Scenario Two: Much the same as One, except only 25 or so men prove to be traitors.  The other 75 are stripped naked one by one, proudly showing up the women by being well-endowed and manly to the very skin.  The last man is the leader.  He is more defiant than any of the others.  It appears that the women, in spite of having won the final battle, will not be able to add insult to injury.  The women are truly in awe of Meyer as they apprehensively go about their task.  They know that they have lost, but they crave to see the manliest of men in all his naked glory.  They long to ride him.  The other men feel their strength returning.  They could break their bonds and overpower their captors, and make a desperate escape...

But wait: There is something under Meyer’s fatigues.  It’s a black silk corset with pink bows!  And a matching silk thong, garter belt, and stockings!  His skin is shaven smooth like a girl’s!  He’s laughing!  He’s shaking his girlish hips at his men in a seductive way.  He’s the most effeminate of them all! 

The men’s spirits sink, free-fall, splatter.  The women fall away from Meyer with mirth, and he breaks his bonds.  He then goes to each man in turn and sucks his cock, snowballing into the next man’s mouth.  Then each man is given a panty and bra set, and brutally effeminated.


Scenario Three: 99 men on crosses.  Then someone vaguely familiar appears on the stage.  She’s absolutely gorgeous in her sequined white dress.  What a gorgeous ass.  Is she a movie star?  Some kind of celebrity?  She steps up to the microphone and speaks.  In Meyer’s voice: “You’re all going to be girlies now.”

Of course, with scenario three, there are two further options: Meyer is either totally converted in a matter of seconds, much to his embarrassment, or he is already longing to become a girl, and has been leading his men to doom all along.


The conversion:

Meyer is led into a dark room with a spotlight in the middle and a mirror.  He is stripped naked and made to stand in the spotlight.  Someone tosses him a pink satin panty and bra set.  He reticently refuses to wear it.  The panty is a thong with snaps.  His arms are strapped to cables from the ceiling, and his ankles shackled to long chains on the ground.  Slowly the ceiling cables start moving apart, lifting him from the ground, and spreading his arms.  The chains also tighten from opposite ends of the room, leaving him suspended in air and spread eagled.  He is stretched so tightly that he cannot move.  A woman gingerly snaps the panties on, then the brassiere.  Meyer is made to face the mirror and contemplate how he looks in women’s underwear for 12 hours.

He remains mentally strong, and resists.  He tries uselessly to squirm out of his new underwear, but in the mirror he appears to be enjoying himself.  He stops struggling, and realizes that he can’t remain passive either, so he squirms some more.  He vacillates all night, determined to not betray his gender in spite of the circumstances.  He refuses to accept that he is doomed.  He convinces himself that no matter how feminine he looks as he tries hopelessly to squirm out of his panties and bra, it will not change him.  He convinces himself that if he can withstand this, he can withstand anything.

When they finally release him, they laugh when he does not immediately tear off his feminine underwear.  He instead massages his strained arms and legs.  When they laugh, he moves to undo the snaps on his panties, when he realizes how feminine this is.  His hand lingers on his hip.  Finally after a moment’s hesitation, he slides them down his legs and kicks them across the room.  He fumbles with the brassiere for five minutes before he can unclasp it, slide it off his shoulders, and fling it away. 

They then hand him a different panty and bra set.  He puts it on himself since they’re going to force him anyway.  They tie him up a bit more loosely this time.  He is horrified by what he sees in the mirror.  Every squirming movement of his hips only reinforces the feminizing effect of the panties.  He cannot abide it.  He must resist more!  He squirms harder and harder.  In the mirror he stares at a go-go dancer oozing sexuality.  With every movement, his defiance grows stronger.  Nothing can shake his manhood.  If these panties are the epitome of femininity, they cannot break him.  He squirms in defiant celebration.


When he awakens, his bonds have been released.  He does not know how long he has been sleeping in women’s underwear, unbound.  He feels humiliated and cheated, enough to slowly roll off his panties and snap off his bra.

Now they present him with a choice: a one-piece swimsuit, a string bikini, or black panty and bra set embroidered with red lace. 

Even though the swimsuit is less revealing, it is still unmistakably feminine.  It clings so tightly to his skin that he must squirm even harder to shake it loose.  His restraints are loose enough now that he can touch the straps of his bathing suit and rub his thighs together. 

The next time, he chooses the bikini.  It’s a test of his determination.  This time, the restraints are loose enough for him to squeeze his nipples as he withstands another onslaught of femininity. 

The next time, restraints are not necessary.  He dresses himself up in lingerie.  There is no longer any pretense of maintaining manhood.  Nothing is feminine enough.  He is given access to an entire inventory of women’s clothes.  He removes his body hair.  Not feminine enough.  He begins to take hormones.  Can’t get feminine fast enough.  He wears everything in the store to make himself more feminine.

Finally after only a week of feminization – all of it broadcast to his captured troops – he finds the little white sequined dress.  He is the girl in my imagination.  He goes out to his crucified men, and rubs his panties against their cocks.  They think he’s a girl until he speaks.  “You wouldn’t believe how good this feels,” he says between mouthfuls of cock.  “I can’t believe I resisted this at all!”



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